Skip to content

Archive for

10
Jun

Leafly: the web’s ultimate cannabis resource


In July of 2014, New York State did what few thought possible at the time: Its legislature passed Assembly Bill 6357 (better known as the Compassionate Care Act of 2014), which effectively legalized medical cannabis; a bill Gov. Andrew Cuomo signed into law. Less than a week after he did so, Leafly, a cannabis information database, made headlines of its own by running an advertisement in The New York Times’ — the first of its kind in the venerable newspaper’s 163-year history.

Cannabis, both as an industry and as a subculture, is quickly coming out of the shadows and entering the mainstream. Nowhere is this more explicit than in the meteoric rise of Leafly. So to get some insight into the company’s rapid growth and future plans, I recently spoke with co-founder Cy Scott and CEO Brendan Kennedy about where Leafly came from and what it’s like to be an industry pioneer.

Leafly’s advertisement in The New York Times

The Compassionate Care Act in New York was really your big debut with your full-page ad in The New York Times. What sort of effects to the business have you seen emerge from that event?

Cy: One of the biggest benefits was, obviously, the media picking up that ad. We were in New York at the time and it really helped us “plant the flag” so to speak. We already had a number of users from New York, but to have it “top of mind” was really invaluable for us.

Brendan: It was really important that we ran that ad. We had actually designed it almost two years before we ran it and we designed [it] more as a project as to what we thought the first mainstream ad would look like. Then we put it on the shelf for two years. But when Gov. Cuomo signed the CCA, I believe it was July 7th, we almost ran it that week. But then when The New York Times editorial board came out in favor of ending the prohibition, that’s when we knew we had to run it.

It took us less than six days to get the ad finalized and in place. It was a big story for us. It was important, not just because it was the first cannabis ad in the history of The New York Times, but that it was done right and didn’t embrace the stereotypical cliches. That ad was covered in about 360 stories in 97 countries and they [The New York Times] told us it had roughly 400 million impressions.

Weedmaps reportedly had its Times Square billboard campaign yanked minutes before it was supposed to go live just a couple months before your Times ad ran. Was there a concern that, like Weedmaps, you would be denied publication?

Brendan: You know, I don’t know if that was a publicity stunt or what. What we’ve always liked about Leafly is that it’s a mainstream brand offering a mainstream product consumed by mainstream Americans. There’s a counterculture, a subculture, but there are also average Americans in New York and Kansas and Oklahoma that consume this product. They’re just looking for brands that don’t insult them. That’s why Leafly doesn’t have all the stereotypical cliches. You can show Leafly to a 25-year-old; you can show it to a 50-year-old soccer mom; you can even show it to someone’s grandmother. That’s not true for every brand in this industry.

***

Though The New York Times ad brought the fledgling company global notoriety, its publication was a far cry from Leafly’s humble beginnings. Cy and co-founder Scott Vickers met in college. Brendan joined soon after working with Cy at Kelley Blue Book.

CFO Michael Blue, COO Christian Groh and CEO Brendan Kennedy (L-R)

How did Leafly get its start?

Cy: Scott, one of the original founders got his doctor’s [recommendation] and went to a dispensary and was presented with an overwhelming selection of different cannabis products. At the time, we were familiar with the general categorization of different strains — you know, indica, sativa and hybrids — but we didn’t understand how nuanced the strains could be, the different effects they could have and the different reasons people would take one over another. And so in tracking that, [we solved] our own problem using spreadsheets to understand what we did and didn’t like. Like most startup stories, just sort of recognizing that there’s something missing in the market. We figured if we had this need, others would as well — a location or service where people could go and read reviews or create a journal of what they like and aggregating and anonymizing that and presenting it back to other people that are interested in the same space: new patients, new consumers looking for good information on strains.

Five years ago, most digital platforms targeted that common stereotype of a cannabis consumer. We wanted to target a more mainstream audience. We saw the trend happening in terms of mainstream adoption and acceptance of medical cannabis. We thought that it would go that direction with more states adopting it. So we decided to build a platform that had a great visual representation; something that people could use in their workplace or wouldn’t be embarrassed looking at. Since then, multiple states have legalized recreational use as well as medical and we’ve seen incredible adoption of the platform as well.

Engadget Leafly

A selection of Leafly’s strain reviews

We started with the foundation of strain reviews and then understood that we really wanted to connect people to locations where they could acquire a particular genetic strain. So, we integrated a dispensary-locator service where people can rate and review specific dispensaries much like they’d rate and review specific strains. You can see a dispensary location and read its menu so you know what to expect when you arrive. From there, we realized that we needed some good editorial content. It’s something that’s been doing really well for us.

People, new patients, that are new to cannabis are really looking for good information. Also, people that are coming back to it, that tried it once when they were younger, but now that it’s legal in certain markets, they want to learn more about it. Also new patients that are looking for something that will help them with specific conditions and symptoms are coming to Leafly.

***

From just three founders and 17 strain reviews, Leafly has grown to more than 35 full-time employees and a database of nearly 10,000 reviews today. The site now generates close to 600,000 monthly impressions across both its web page and mobile apps. What’s more, Leafly’s readership continues to grow at a steady rate, averaging 10 percent month over month over the past two years, although 75 percent of that audience is based in the US. As such, Leafly’s product offerings have expanded along with its payroll. The company now offers not just strain, doctor and dispensary guides, but also an impressive archive of cannabis-related knowledge as well. Leafly boasts a five-person editorial staff that regularly produces content ranging from basic information like the Cannabis 101 series to cultural features. Its growth is one of the team’s primary goals for the year.

How do you maintain editorial control for something that is inherently crowdsourced?

Well, when we list a new strain, we control that directly. We have people on staff that do the research and work with our genetics companies to really understand the lineage and background of the strain. We add those as we stumble upon them or connect with new genetics companies or producers who are making their own crosses then requesting they be included. We control that so it’s not just any old strain or location that someone randomly adds to the system. As far as reviews, we have a Helpful/Not Helpful system where people can tag them — like up or down voting — so the content that isn’t great gets pushed down, buried and eventually moderated to keep the system pretty clean.

As for video: What brought about the decision to add video content to the site and where do you see it going from here?

Cy: Video is something we recognized we’d been missing for a long time. We really wanted to create an audience on our YouTube channel and to do that we really needed some original content. We batted around a bunch of ideas using the strain data and auto-generated videos, but nothing really connected until we started producing these new ones. For example, we have a host; her name is Regina. She’s a fantastic representation of the brand. It’s a great set. We get feedback from people all the time wanting to purchase things they’ve seen on-set (like the Cannabis Guide). It’s a lot of that original 101 content to get people comfortable with things like consumption methods or stuff that we take for granted working so closely with cannabis. But people have a lot of questions about stuff like the properties of strains. We’ll go really deep on specific strains like Blue Dream, talking about the foundations and background of it, different effects, et cetera.

“We decided to build a platform that had a great visual representation; something that people could use in their workplace or wouldn’t be embarrassed looking at.”

Being so uniquely positioned within the market, have you run into any added legal or regulatory troubles?

Cy: Other than typical industry challenges, no. I mean, everything in this industry is more complicated than people think. It took us a long time to find the right bank, even though nothing Leafly does is a violation of local state or federal laws. It takes time to find partners that are willing to think about this industry.

And has it been getting easier as cannabis grows in acceptance?

I think it’s easier today than four years ago, certainly, but it’s still not nearly as easy as any other industry in the United States.

***

Even though Leafly currently boasts an impressive (and seemingly uncannily sustainable) rate of growth, it’s not content to sit on its laurels. The company reportedly has a number of new features and innovations in the works that will be announced in the coming months.

You’ve already got revenue from ad streams and sponsorships; how else are you looking to expand your business?

Cy: One of the fundamental issues with this industry is that traditional digital marketing channels limit cannabis advertising. So if you’re a producer or processor or retailer in the market, you can’t advertise. You can’t advertise on platforms like Twitter, Instagram or Google. And neither can we, even as an ancillary business in the industry. We are working on some product offerings and services that will fill that gap for new and returning customers. We’re also working on more editorial content, looking towards new markets that are opening up (and we see new interest every time — one to three times the average every time a new market opens).

Legal Cannabis in Washington State

Leafly COO Christian Groh working on the website

A good example is DC, we saw a 3x increase in traffic both leading up to and following legalization there. And with new markets come new consumers. So yeah, definitely expanding editorial to support that new audience as well as new services and product offerings.

And where exactly are you looking? What areas do you think will be next to legalize it?

We’re looking at all different markets. Some of which we’ve been looking at lately have been Oregon and Alaska given that their regulatory frameworks are coming together. Within the next few months (up to 18 months), they should have stores opening up, so those are fun for us. There are also medical markets like Nevada, specifically Las Vegas. They’re about a month away from opening up their first dispensary. That should be a pretty big market. I believe they have reciprocity there so you can use your doctor’s recommendation from other regions.

As for what we do when a new market opens up, it really depends on the location. A lot of times, we’ll participate by sponsoring a number of local events in those regions. We have field marketers and reps; sometimes we’ll deploy them out to those regions to have a presence on the ground — start making connections and contacts in the industry. And when [recommendation] markets open up like in Seattle, we had a food truck day in a bunch of different locations. We had a bunch of Cannabis 101 materials to hand out that really resonated with consumers. It really just varies within each region.

What plans do you have for the API program?

We have a lot of sign-ups for it. We actually have a hackathon here in Seattle this weekend called the Grassroots hackathon and it’s being done at a Wee Works [Preschool] office. The hackathon revolves around the API (we are a sponsor), but it’s a great way for people like Meadow to get access to this data. And as we add new features — we only offer strain and dispensary data at the moment — we’ll expand. We don’t do editorial content because we’ve got agreements with a couple of other companies. We should have some good stuff coming out later this year, stuff we can’t talk about just yet, but we’ll expand the API once those are in place.

***

Of course, even industry pioneers need to relax every once in a while.

Do you regularly partake?

Cy: I’m a pretty regular consumer, but I don’t smoke. I prefer vaporizers these days. So it really was a matter of us solving our own problem. We had our doctor’s [recommendation] in California. We had exposure to a lot of strains initially and that’s where the interest and impetus, in part, came from.

What’s your preferred pen?

Cy: I actually just got the Pax 2. It’s fantastic. Obviously, we don’t consume at work or anything since we’ve got a lot we need to get done. But I use it to unwind in the evenings.

This interview has been condensed and edited.

[Image credits: Leafly (Screenshots, executives); Getty Images (Christian Groh)]

Filed under: Internet

Comments

10
Jun

You can play videos in 8K resolution on YouTube, but it’s not practical


ghost-towns-8k-video-playback

YouTube is apparently capable of 8K video playback. Filmed on a RED Epic Dragon 6K, ‘Ghost Towns,’ a video uploaded to YouTube yesterday, can be played in 4320p.

Most users, including myself, thought YouTube was only capable of 4K, but according to 9to5Google’s request for comment, the search giant says it has been supported since 2011, but the label was added “earlier this year.”

While the technology is there, no one really has any hardware where you can see the full capabilities of 8K video playback, let alone 4K. Of course, what warrants a person to purchase a 4K monitor when there’s hardly any 4K content to watch?

Click here to view the embedded video.

It’s an interesting cycle–4K hardware isn’t popular because there’s no 4K content, and there’s no 4K content because 4K hardware isn’t widely accepted. Just like the boom of the smartphone industry, consumers will have to realize how 4K will enhance their lives before it gains any momentum.

I’m still waiting for the day when 4K becomes the norm. For that to happen, 4K video cameras would have to become inexpensive, and considering that most are upwards of $35k, that isn’t happening anytime soon. But, here’s the burning question: when will we see the first 8K TV or monitor?

source: 9to5Google

Come comment on this article: You can play videos in 8K resolution on YouTube, but it’s not practical

10
Jun

Netflix is coming to a Marriott near you


Marriott Netflix

After being scolded by the FCC over its plans to block guests’ personal WiFi connections back in January, Marriott hotels has announced that it is partnering with Netflix to deliver the streaming service as an in-room amenity. According to a Marriott press release, guests staying at select hotels will now be able to log in to their existing Netflix accounts directly through their rooms’ televisions. The service is currently available in six locations — New York on the East Side, San Jose, Princeton, Newport, Dallas/Fort Worth and Bethesda — with a half dozen more locations (including San Francisco, Atlanta and DC) coming online later this summer. Marriott hopes to expand the service to over 100 locations by the end of the year and deliver it to more than 300 locations by the end of 2016.

[Image Credit: Associated Press]

Filed under: Internet

Comments

Source: Marriott

10
Jun

T-Mobile will start rolling out the Lollipop update for the LG G3 shortly


t-mobile-store

If you cast your mind back to April, you may remember that T-Mobile briefly started rolling out the long-awaited Lollipop update to all its carrier-branded variants of the LG G3 located in the United States. Sadly, the operator was forced to pull the upgrade for reasons unknown.

Earlier today, Desmond Smith, Senior Product Manager at T-Mobile, announced on his personal Twitter account that the Lollipop update (software version D8512oe) has received re-approval and should start rolling out again in the not-too-distant future.

The full changelog for the upgrade can be seen below:

  • Material Design: You will quickly notice a whole new colorful look and feel to your device – from fluid animations to new application and system themes, colors and widgets.
  • Notifications UI & Priorities: In order to alert you to the mosttimely and relevant information, the format and behavior of notifications have evolved:
    • notifications will appear on the lock screen and are intelligently ranked by type and who sent them.
    • you double-tap to open one, swipe left or right to clear one, or clear all notifications from the bottom of the list.
    • you can set the priority and privacy of notifications for each application.
    • very high priority notifications will pop up briefly over other applications so that you can take action.
    • when you dismiss a notification on one device it will be dismissed on your other Android devices, if they are connected to the Internet.
    • you can further tailor how notifications behave with the new Downtime and Ambient Display settings (see below).
  • New Interruptions & Downtime Settings: You can tailor how interruptions behave, choosing to allow all, none, or only priority interruptions.  You can personalize what counts as a priority interruption (reminders, events, calls, messages) and even tailor them to be from only contacts you specify.  The Downtime setting will allow only priority interruptions during the times and days that you specify.  e.g. allow only priority interruptions on the weekend.
  • Recent Apps (Multi-tasking): The redesigned Overview space (formerly called Recents) will include both applications and separate activities within those applications.  For instance, each open tab in Chrome will also appear here along with recent applications; both your Gmail Inbox and a draft email message will appear as separate cards.  This provides a consistent way to switch amongst tasks.
  • Flashlight: Lollipop includes a new flashlight option as part of Quick settings (swipe down with two fingers from the status bar to see it).
  • Pin a view/app: Screen pinning allows you to keep a specific app or screen in view. For example, you can ‘pin’ a game and your child will not be able to navigate anywhere else on your phone.
  • Battery: The Battery settings panel now shows an estimated projection for how much time you have left while discharging or charging.  You can also enable a new battery saver mode that will save power by reducing performance and most background data operations to extend your battery life.
  • Smarter Internet Connections: With Android Lollipop, your phone will not connect to a Wi-Fi access point unless there is a verified Internet connection. This feature improves hand-offs between Wi-Fi and cellular connections, helping to maintain your video chat or voice-over-IP (VoIP) call as you switch.
  • Performance: Your phone now uses the new Android Runtime to help optimize application performance.  After upgrading to Lollipop, your applications will undergo a one-time optimization process.  Note that the optimization for ART requires more space.
  • Security: Encryption can now use a stronger 256-bit key to help protect your data.  Note that the stronger key willonly be used after you perform a factory reset on Android Lollipop.  Otherwise encryption will continue to use 128-bit key.  You can turn on encryption in the Security settings menu.

Be sure to check back as we’ll let you know as and when the update starts rolling out.

Come comment on this article: T-Mobile will start rolling out the Lollipop update for the LG G3 shortly

10
Jun

Spotify Announces 75M Active Users, Raises $526M Following Apple Music Debut


SpotifySpotify today announced that it now has more than 75 million active users and 20 million paid subscribers worldwide as the Sweden-based streaming music service prepares to compete with Apple Music, available June 30 on iPhone, iPad, iPod touch, Mac and PC.

Spotify doubled the 10 million paid subscribers it had through May 2014 in just one year, and has now paid over $3 billion in royalties to artists, songwriters and rights holders, including more than $300 million in the first three months of 2015 alone.

The Wall Street Journal reports that Spotify has also raised $526 million in a funding round that values the company at $8.53 billion, giving it significantly more financial backing to take on Apple Music and other rivals in the increasingly competitive streaming music market. Spotify will reportedly invest the capital raised from investors in expansion and new forms of content to further differentiate itself.

Apple Music vs Competitors

Apple Music and Spotify Premium both cost $9.99 per month (Image: WSJ)
Spotify operates at a loss due to significant royalties and revenue sharing with music label partners, although the company aims to become profitable through continued subscriber growth. The company announced plans last month to add video programming and podcasts from partners such as ABC, BBC, ESPN, NBC, Comedy Central, Conde Nast, Maker Studios, Turner Broadcasting and Vice Media.

Apple Music was announced earlier this week as a streaming music service, live global radio station and social platform for artists to connect with fans. The subscription-based service costs $9.99 per month with a three-month free trial for iPhone, iPad, iPod touch, Mac and PC. Apple TV and Android versions of the service will be available in the fall. Apple Music launches June 30 on iOS 8.4 and iTunes.




10
Jun

New iOS Mail Bug Allows iCloud-Like Popups to Steal User Passwords [iOS Blog]


A new bug facing the iOS Mail app was found recently by security specialist Jan Soucek (via The Register). The malicious bug is capable of delivering false iCloud log-in prompts by allowing remote HTML content to be loaded through an email message delivered to the intended victim. The bug then delivers a convincing iCloud log-in box for users to re-enter their Apple ID and password. Soucek says that Apple did not respond to his discovery of the bug when he stumbled across it back in January.

“Back in January 2015 I stumbled upon a bug in iOS’s mail client, resulting in HTML tag in e-mail messages not being ignored. This bug allows remote HTML content to be loaded, replacing the content of the original e-mail message. JavaScript is disabled in this UIWebView, but it is still possible to build a functional password “collector” using simple HTML and CSS.”

The bug isn’t relegated to only iCloud phishing attacks, however, letting anyone with access to it customize the attack to ask for whichever username and password credentials they feel the need for. Soucek kept the details of the bug only between himself and Apple, letting the company have time to possibly fix the attack and inform him of its progress. Given the company’s remaining quietness on the subject, he decided to publish the proof of concept – called the Mail.app inject kit – on GitHub in hopes of spreading its awareness.

“It was filed under Radar #19479280 back in January, but the fix was not delivered in any of the iOS updates following 8.1.2. Therefore I decided to publish the proof of concept code here.”

While Soucek’s actions bring the malicious bug to more people’s attentions and can help stop it in due time, it also means there’s a wider chance for phishers to deploy it on their own. Until Apple comments on the story and offers a fix for the bug, it’ll be safest to take precaution when any password prompt emerges while browsing email in iOS.




10
Jun

Apple Fixes iMessage Crashing Bug in iOS 8.4 Beta 4


Apple seeded the fourth beta of iOS 8.4 to developers yesterday with a fix for a messaging bug that causes an iPhone, iPad or iPod touch to crash after receiving a specific string of Unicode characters via iMessage or SMS. The bug also affects the Mac and Apple Watch and extends to third-party messaging apps such as Snapchat, Twitter and WhatsApp, as the issue is tied to the way banner notifications process Unicode.

Sending the string of characters to an iPhone, iPad or iPod touch results in an immediate respring, causing the device to crash and quickly reboot. From there, if the Messages app was opened at a list view, the Messages app crashes automatically when you try to open it. If it was opened to the conversation where you received the message, the app will open, but attempting to go to another conversation causes Messages to crash.

imessagescrashingbug
Apple recently published a support document on its website with a temporary workaround for the problem, and ensured that a permanent fix would be issued in a future software update. That fix has arrived in the form of iOS 8.4, which will be released ahead of Apple Music’s launch on June 30. In the meantime, affected users can ask Siri to “read unread messages” and use Siri to reply to the malicious message in order to regain access to the Messages app and delete the message.




10
Jun

LG G4 vs Samsung Galaxy S6 / S6 Edge – Camera Shootout


The LG G4 and Samsung Galaxy S6/edge are currently some of the best Android phones you can get your hands on. Both handsets have received no shortage of compliments, and deservedly so. We’ve already pit the flagships from the two Korean giants against each other in a comprehensive comparison but, as promised, today we’re going to focus on one particular aspect that makes both these devices amazing: the camera experience.

#gallery-1
margin: auto;

#gallery-1 .gallery-item
float: left;
margin-top: 10px;
text-align: center;
width: 50%;

#gallery-1 img
border: 2px solid #cfcfcf;

#gallery-1 .gallery-caption
margin-left: 0;

/* see gallery_shortcode() in wp-includes/media.php */

Kicking things off with their respective self-portrait taking capabilities, looking at the image above and in the video, it’s obvious that the LG G4 does tend to overexpose some parts of these photos, and the field of view of the 8 MP front-facing shooter is somewhat narrow. The 5 MP front-facing unit of the Galaxy S6 does comes with a wider angle lens, and also benefits from a Wide Selfie Mode that allows you to use a panoramic motion in order to get more people into your shot. On the other hand, the LG G4 comes with a slew of gestures in order to make taking selfies a little more exciting, but the most useful of the lot is the ability to bring down the phone to a viewing angle that automatically lets you see the selfie you just took.

#gallery-2
margin: auto;

#gallery-2 .gallery-item
float: left;
margin-top: 10px;
text-align: center;
width: 50%;

#gallery-2 img
border: 2px solid #cfcfcf;

#gallery-2 .gallery-caption
margin-left: 0;

/* see gallery_shortcode() in wp-includes/media.php */

Moving onto the rear cameras, the Galaxy S6 and Galaxy S6 Edge pack 16 MP rear shooter with a f/1.9 aperture and OIS, while the LG G4 also features a 16 MP unit with f/1.8 aperture and OIS+, as well as a laser guided auto-focus system and a color spectrum sensor that flank the camera.

#gallery-3
margin: auto;

#gallery-3 .gallery-item
float: left;
margin-top: 10px;
text-align: center;
width: 50%;

#gallery-3 img
border: 2px solid #cfcfcf;

#gallery-3 .gallery-caption
margin-left: 0;

/* see gallery_shortcode() in wp-includes/media.php */

In lower light situations, the G4 still ends up over exposing the shot a little too much, and when there is a prominent light source on the subject, it will tend to be more blown out. Testing these cameras out during a concert, with the band members on stage being under very bright lights, you can see that even with spot metering you’re not going to be able to get a very good shot in the basic mode. That is where the Pro Modes comes in.

#gallery-4
margin: auto;

#gallery-4 .gallery-item
float: left;
margin-top: 10px;
text-align: center;
width: 50%;

#gallery-4 img
border: 2px solid #cfcfcf;

#gallery-4 .gallery-caption
margin-left: 0;

/* see gallery_shortcode() in wp-includes/media.php */

The Pro Mode of the Galaxy S6 isn’t very robust, and there aren’t a whole lot of settings that you can manipulate, but you can bring the exposure compensation slider down, for example to -2, that does make for a somewhat better shot. The G4 did a better job with the exposure, despite the fact that, with the faster shutter speed that ISO had to compensate for, there ended up being a lot of grain in the shot. So in this situation, you’ll have to take your pick between a shot that is a little bit more overexposed with the Galaxy S6, or a better looking photo in terms of color and exposure with the LG G4 but with a lot more grain in the image.

As you may have noticed in the videos taken during the concert, taking a video makes the settings revert to what you get with the auto mode, and it is disappointing that the manual settings don’t have any effect on the video content.

#gallery-5
margin: auto;

#gallery-5 .gallery-item
float: left;
margin-top: 10px;
text-align: center;
width: 50%;

#gallery-5 img
border: 2px solid #cfcfcf;

#gallery-5 .gallery-caption
margin-left: 0;

/* see gallery_shortcode() in wp-includes/media.php */

Moving to the outdoors and other well-lit situations, both cameras do an excellent job, but unsurprisingly, the Galaxy S6 does tend to oversaturate the shots a little bit. In some instances, this means the availability of deeper blacks and more contrast, and the punch in the colors can get to be a little much, even if some people do prefer that. In the case of the LG G4, the color reproduction is a lot more accurate because of the color spectrum sensor.

#gallery-6
margin: auto;

#gallery-6 .gallery-item
float: left;
margin-top: 10px;
text-align: center;
width: 50%;

#gallery-6 img
border: 2px solid #cfcfcf;

#gallery-6 .gallery-caption
margin-left: 0;

/* see gallery_shortcode() in wp-includes/media.php */

There were a few rare instances where the G4 actually saturated the photo a little bit more than the Galaxy S6, as you can see in the second set of images above. The G4 also lets you cater the shot more to you liking with the more robust Manual Mode that it features, and of course, you also have the ability to shoot in the RAW format, and use the RAW capture photo in a program like Lightroom to make it look exactly the way you want it.

#gallery-7
margin: auto;

#gallery-7 .gallery-item
float: left;
margin-top: 10px;
text-align: center;
width: 50%;

#gallery-7 img
border: 2px solid #cfcfcf;

#gallery-7 .gallery-caption
margin-left: 0;

/* see gallery_shortcode() in wp-includes/media.php */

Apart from the image quality possible with both cameras, a mention has to be made with regards to the picture taking experience itself. Samsung introduced a new shortcut with the Galaxy S6 that allowed you to double tap the home button up front to bring up the camera app and start shooting right away. The LG G4 has its own shortcut as well, a double tap of the volume down button, but this isn’t just to launch the camera app, as it also ends up taking a photo. Now, if you haven’t already framed the scene correctly without the viewfinder, or if there is nothing to take at the time, the camera will still take a picture, and only then can you begin to cater your shot, making the G4 just a little bit slower in going from the prone position to actually being able to take photos.

#gallery-8
margin: auto;

#gallery-8 .gallery-item
float: left;
margin-top: 10px;
text-align: center;
width: 50%;

#gallery-8 img
border: 2px solid #cfcfcf;

#gallery-8 .gallery-caption
margin-left: 0;

/* see gallery_shortcode() in wp-includes/media.php */

Testing the optical image stabilization available with either device, you can see in the video above that the larger sensor of the G4 and the enhanced OIS does a great job in keeping things stable, while the resulting video with the Galaxy S6 is not as steady in comparison, and is a really big feather in the cap of the LG G4.

Samsung Galaxy S6 Camera Samples

While the Galaxy S6 tends to oversaturate, and the LG G4 has a penchant for overexposure, when it comes to capturing detail, both of these devices do a fantastic job. It’s only when you really zoom in to the photos that some disparities might come up, but is nothing significantly noticeable. You may see that the post processing that goes on results in a slight loss of sharpness in the case of the LG G4, but is something that is noticeable only when really zooming in to the shot.

LG G4 Camera Samples

So there you have it for this in-depth look at the LG G4 vs Samsung Galaxy S6 / S6 Edge camera! As you may have noticed throughout the video, the Galaxy S6 does tend feature very punchy colors, but the color reproduction with the LG G4 is far from bland, and the shots still look really nice. Bottom-line, users will likely be happy regardless of which smartphone camera they end up choosing. It cannot be emphasized enough how great both of these cameras are, and we’ve come to a point in the Android world where the smartphone tech is getting more than good enough to replace regular point and shoot cameras. This is a wonderful thing to happen, and it will only continue to get better over the course of this year and beyond.

10
Jun

Deal: Pick up two LG G4 leather backs for the price of one from LG through 6/30


lg g4 first look aa (23 of 32)

If you’re the owner of a brand new LG G4 or plan on owning one in the near future, LG has quite the deal for you. From now until Tuesday, June 30th, you can buy two LG G4 leather back covers for the price of one. Replacement back plates usually run at a pricey $69.99, but now LG is giving you a chance to save some money. Available colors include Blue, Orange, Pink, Red and Yellow, though the T-Mobile-exclusive Brown and the Black leather options unfortunately can’t be purchased separately.

Related Videos

.rvs_wrapper
width: 350px;

.rvs_wrapper.align_left
float: left;

.rvs_wrapper.align_right
float: right;

.rvs_wrapper.align_center,
.rvs_wrapper.align_none
width: 100%;

.rvs_wrapper.align_center
text-align: center;

.rvs_wrapper.align_center.cbc-latest-videos ul li
float: none;
display: inline-block;
vertical-align: top;

.rvs_wrapper.cbc-latest-videos:not(.align_none) ul li:nth-child(2n+1)
clear: both;

.rvs_title
font-weight: 600 !important;
margin: 0 !important;
font-size: 24px !important;

.rvs_wrapper.align_right .rvs_title
padding-left: 20px;

.rvs_title a
font-family: ‘Roboto Condensed’;
color: #3a3a3a;

.rvs_wrapper.cbc-latest-videos ul
padding-top: 10px;

.rvs_wrapper.align_left.cbc-latest-videos ul li,
.rvs_wrapper.align_none.cbc-latest-videos ul li
padding: 0 15px 0 0;

.rvs_wrapper.align_right.cbc-latest-videos ul li
padding: 0 0 0 15px;
float: right;

.rvs_wrapper.align_center.cbc-latest-videos ul li
padding: 0 7px;

.rvs_wrapper.cbc-latest-videos ul li > a
font-weight: 400;

.rvs_wrapper.cbc-latest-videos ul li > a .yt-thumbnail
margin-bottom: 0;

@media only screen and (max-width : 480px)
.rvs_wrapper
width: 100%;
text-align: center;

body .rvs_wrapper.cbc-latest-videos ul li
padding: 0 7px;
display: inline-block;
float: none;
vertical-align: top;

In our full color comparison, we told you that the leather back covers for the G4 feel as premium as (if not more than) a nice wallet or the leather backs that can be found on the Moto X (2nd Gen). While all of the covers feel great in the hand, the Red option definitely has the smoothest texture, and the others feature a rougher texture, almost akin to crocodile skin.

If you own a G4 and plan on swapping out the back covers at all, you might want to take advantage of this deal. Remember, orders need to be placed before June 30th! Head to the link below to order yours today.

Buy now from LG

10
Jun

Samsung shows off the Galaxy S6 Edge features in 60 seconds


Samsung_Galaxy_S6_Edge_Back_Bottom_Slanted_TA

The Galaxy S6 Edge may have been available for purchase for a couple of months now, but that doesn’t mean that Samsung’s big-budget marketing department is going to let up in boasting about its features. Today we have a video called “S6 in :60″ showing off the handset’s main specifications, and yes, its sixty seconds long.

You can hit the link below to watch the promo video. You can also see the Galaxy S6 Edge surviving a trial-by-water here and even getting thrown onto the floor here if Samsung’s video is a little tame for your liking.

Click here to view the embedded video.

 

Source: Samsung Mobile USA

Come comment on this article: Samsung shows off the Galaxy S6 Edge features in 60 seconds