Xiaomi finally goes offline with the Redmi 3S Plus in India

Xiaomi is finally targeting offline buyers.

Xiaomi is a force to contend with in the online space in India, but the manufacturer hasn’t paid attention to the lucrative offline market. That’s changing with the launch of the Redmi 3S Plus, Xiaomi’s first phone to be sold exclusively offline.

The phone is a new variant in the popular Redmi 3S series, featuring a 5-inch 720p display, Snapdragon 430 SoC, 2GB of RAM, 32GB storage, 13MP camera, 5MP front shooter, LTE with VoLTE, and a 4100mAh battery. Much like the Redmi 3S Prime, there’s a fingerprint sensor located at the back.

Introducing the #Redmi3S Plus, available exclusively via our retailers for India Mi fans! Love it? pic.twitter.com/4ayqRowPww

— Redmi India (@RedmiIndia) October 1, 2016

Going offline is the logical move for Xiaomi in India as it tries to continue its momentum from the successful launches of the Redmi Note 3 and the Redmi 3S. Over 70% of all smartphones are sold through offline distributors, and by targeting retail stores in tier 2 and tier 3 cities, Xiaomi will be able to cater to an entirely new audience. OPPO and vivo used the same strategy to their advantage over the course of the last year, and by going offline, Xiaomi can compete better with its Chinese rivals.

The Redmi 3S Plus retails for ₹9,499, and is now available from over 7,000 retail outlets across the country, including major chain stores like Sangeetha and Big C. Interested in knowing what’s on offer? Be sure to read our Redmi 3S review.

Lumsing’s new wall charger offers USB A, USB Type-C, and Quick Charge 3.0

Most people charge their phones from a computer or the wall charger they received with their phones.

But there are other options – including better, faster, more versatile ones. For instance, Lumsing’s 48W dual-port Quick Charge 3.0 and USB Type-C wall charger can power a MacBook, USB Type-C smartphone such as the Nexus 6P and Nexus 5X, and other types of mobile devices, and it can do so up to four-times faster than the conventional way due to Qualcomm’s built-in Quick Charge fast-charging technology.

If you have multiple phones (say, an old Android phone with a Micro USB port, a newer Android phone with a USB Type-C port, or maybe even an iPhone with a Lightning port), it’s probably difficult for you to find a computer with several USB ports let alone USB Type-C to charge them all at once. Maybe you have a power strip next to your bed, but more likely, your phones are plugged into sockets scattered around your house.

The point is, charging phones can be a messy experience, and it can get more complicated if you throw in the added layer of wanting to use fast-charging technology. Enter the Lumsing 48W dual-port Quick Charge 3.0 and USB Type-C wall charger we mentioned earlier. It has two ports (USB A and USB Type-C), and it offers Qualcomm’s Quick Charge 2.0 as well as Quick Charge 3.0.

Lumsing, which makes not only chargers, but also portable power banks, headphones, etc, is trying to streamline how we charge our devices. Its dual-port wall charger is square-shaped and has a black, matte plastic body with a foldable plug. When the plug isn’t sticking out, which is handy for traveling, the charger looks like a mini Apple TV, so it’s sleek enough to carry around. 

Those two ports are positioned near each other on one end of the charger. The standard USB A port supports Quick Charge 2.0 and 3.0 from Qualcomm. Quick Charge 3.0 can charge phones like the new LG V20, LG G5, or HTC One A9 to an 80-percent charge in just 35 minutes.

More phones are actually compatible with Quick Charge 2.0, such as Samsung’s latest Galaxy devices, the LG G Flex 2, BlackBerry Priv, Moto X Pure Edition, and Nexus 6 from Google, but they won’t charge as fast as they do with 3.0.

The Quick Charge 2.0/3.0 port (19W) is an extra that makes the charger more versatile. It adds the ability to charge both Quick Charge-compatible and non Quick Charge-compatible Android phones fast enough.

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As for that USB Type-C port, it is ideal for devices like the Nexus 6P and Nexus 5X, which use another fast-charging standard (Fast Charge). During our time with Lumsing, we used it with a Nexus 5X and iPhone 6S. We therefore couldn’t test Quick Charge, but we absolutely loved the ability to efficiently charge both devices from one adapter – especially the Nexus 5X, as USB Type-C adapters and computers are still hard to come by.

Overall, we found the charger to be functional, reliable, and portable. The adapter itself also stayed cool the entire time rather than generate too much heat. It quickly became the No. 1 way we charged our phones. No longer did we use the USB Type-C wall charger that came with the Nexus 5X, nor did we plug our iPhone into a Mac at night. Instead, both charged via the Lumsing. 

Also, remember the Lumsing can even charge the new MacBook while charging your USB Type-C smartphone. Like we said, with this wall charger, you don’t need to bring several different chargers for all your devices when on the go, as one charger will fit them all and can fit into any purse.

We definitely recommend checking this gadget out. 

It costs $36.99 in the US and is available on Amazon (enter LUMUSBC1 at checkout to get $7 off – the deal starts from 12:01 am on 3 October and ends at 11:59 pm on 16 October). It’s also available in the UK from Amazon for £29.99 (enter LUMUSBC2 at checkout to get £5 off – the deal starts from 12:01 am on 3 October and ends at 11:59 pm on 16 October.

LG OLED G6 4K TV review: So good it’s almost silly, but it’s silly expensive too

Two things stand out about the 65-inch LG G6 OLED TV right from the off: its stunning design and its eye-watering price.

Where the latter is concerned, £6,000 is clearly a massive chunk of cash to consider dropping on a 65-inch TV. But the OLED65G6V’s design is so extraordinary that your hand automatically starts creeping towards your wallet as soon as you look at.

Seriously, the sight of the LG G6’s screen sitting on a frame that’s less than 3mm deep looks like the eighth wonder of the modern world. Especially given that the majority of the sub-3mm panel has been made of glass rather than boring old metal or plastic.

Essentially the OLED65G6V makes you feel like you’re watching pictures being conjured out of mid air by some sort of dark AV magic. But is it genuinely worth its asking price?

LG G6 OLED TV review: Design and connections

The OLED65G6V’s stunning slenderness is possible because LG has shifted all of the TV’s brains and connections into the distinctive desktop stand that juts back behind the screen’s bottom edge. This stand can be rotated back behind the screen to form a wall mount if you wish, and also sports a high quality, full-width soundbar attached to its front.

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This soundbar delivers a startling 60W of power across a 4.2-channel speaker configuration, and even goes so far as to build speakers into two of its sides so that it can always deliver forward-firing sound regardless of whether you’ve wall hung the TV or sat it on a piece of furniture.

The OLED65G6V’s connections – mounted rather awkwardly in the edges of the desktop stand – are comprehensive, including four HDMI, three USB and the usual Wi-Fi and wired network options.

The USB ports support recording from the built-in Freeview HD tuner to USB HDD, or playback of multimedia from USB drives, while the network ports support DLNA streaming from compatible devices and access to LG’s online features.

LG G6 4K OLED TV review: Apps and OS

These online features are a bit weird. For while you still get good stuff like the subscription streaming services of Amazon and Netflix – both offering native UHD and high dynamic range (HDR) streaming content – as well as Now TV, My5 (Channel 5’s catch-up service) and the BBC iPlayer, you don’t get the Freeview Play app found on LG’s cheaper OLED TVs for 2016. Which means you don’t get any support for the ITV Hub or All4 catch-up TV platforms.

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LG’s argument for stripping Freeview Play out of the OLED65G6V is that buyers of such a high-end TV will likely have external devices for delivering catch-up TV services. But if you’re going to make that argument, you arguably might as well not put any apps on the TV at all!

At least the G6 does still employ LG’s excellent webOS smart interface, with its crisp, economical, clean and responsive design.

LG G6 65-inch 4K TV review: Superb OLED panel

The OLED65G6V’s use of OLED technology isn’t just exciting because it contributes to the set’s extraordinary design. The way each OLED pixel produces its own light and colour independent of even its nearest neighbours has also made it the TV technology of choice for many picture quality connoisseurs.

What’s more, being able to deliver deep black pixels right alongside bright white ones without any of the light bleeding issues you get with LCD TVs in the same circumstances potentially makes OLED even more exciting in these days of HDR content.

Talking of HDR, the OLED65G6V handily supports both the common so-called “HDR10” format, and the Dolby Vision HDR take. Dolby Vision sources are scarce at the moment: in the UK only Netflix currently supports Dolby Vision HDR right now, on a very limited range of TV shows and movies. But Amazon has promised Dolby Vision support too, and it’s possible it will crop up on Ultra HD Blu-ray too, eventually. At any rate, there’s surely no harm in LG supporting both HDR formats even when no other UK TV brand currently does.

LG

The OLED65G6V also plays 3D Blu-rays (extremely well) if 3D is still on your AV radar.

Its specifications when it comes to contrast, brightness and colour join with its native Ultra HD resolution to earn the TV the AV industry’s Ultra HD Premium badge of HDR performance honour.

Actually, the OLED65G6V’s claimed ability to deliver 96-98 per cent of the digital cinema DCI-P3 standard’s colour range and maximum brightness output of between 650- and 700-nits both comfortably exceed the Ultra HD Premium requirements.

In action the OLED65G6V is at times – often, even – so good it’s almost silly.

LG OLED65G6V review: Blacker than black

With standard dynamic range (SDR) content of the sort most of us still watch for the majority of the time, the G6 is positively imperious. This set combines the best reproduction of black we’ve seen on a flat TV with dazzlingly rich colours, remarkable amounts of shadow detail in dark areas, and much improved brightness from the company’s 2015 OLED screens.

LG seems to have improved its colour management this year too, resulting in more consistently natural and accurate tones as well as enhanced subtlety when it comes to rendering even the tiniest tonal shift in 4K-resolution colour blends.

Also a treat to behold is the uniformity of the OLED65G6V’s lighting when handling dark scenes. The pixel-for-pixel light control of its OLED panel completely avoids the sort of light clouds, halos and stripes you get during dark scenes with LCD TVs.

LG

LG has even managed to almost completely remove the light banding problem (where light levels reduce in intensity in clear “steps” as your eye tracks the image from the centre out) that plagued 2015’s otherwise excellent OLED TVs.

You still have to be careful not to set the OLED65G6V’s brightness too high (stick to between the 49 and 52 settings) if you don’t want the screen’s normally stellar black level performance to take a bath.

Some slightly awkward motion handling can reduce the TV’s sharpness with action-packed 4K sources too. Overall, though, we say the OLED65G6V produces the best standard dynamic range pictures the TV world currently offers.

LG 65-inch 4K OLED TV review: HDR magic and misfires

The set’s stunning black level performance and pixel-level light control also give it leg up over the LCD competition with HDR content. Seeing bright HDR objects sitting amid near-black backdrops with no light pollution around them is a sight that never gets old. In fact, for many AV enthusiasts it’s a sight that’s enough in itself to make OLED irresistible.

The OLED65G6V also does a terrific job of delivering the wide colour gamuts associated with HDR sources, combining OLED’s natural colour strength with the extra vibrancy made possible by having such deep, immaculate black colours to bounce off. The old SDR pictures we’ve been living with for so many decades look drab by comparison.

While the OLED65G6V can look mesmerising with HDR, though, it can struggle at other times – especially when watching HDR10 content rather than Dolby Vision.

The issues are all connected with the fact that even though its near-700 nits of brightness is a significant improvement on previous OLED TV generations, it still falls way short of the 1000-nits most HDR content is mastered at – and even further short of the 4000-nits some HDR content is mastered at.

LG

That, ultimately, is the decision you make when buying an OLED TV: they’re always going to be darker than an LCD equivalent, but deliver better black levels.

Even so, the LG G6 can’t deliver HDR’s bright peaks with as much intensity as the brightest HDR-capable LCD TVs this year – especially Samsung’s KS9500 and KS9000 models. The KS9500 is actually capable of reaching brightness peaks twice as high as those you can get from the OLED65G6V, and these help make HDR content look both more dramatic and more like the intense light of the real world.

The OLED65G6V also struggles to resolve subtle colour and light tone differences when showing bright HDR whites and colours, leaving them looking monotone and low-res versus the rest of the 4K image.

Finally, in shots containing particularly extreme contrasts between bright and dark areas, the dark areas can draw your eye too strongly. This seems to be because some shadow detailing has gone AWOL, leaving the darkest areas looking rather hollow and one-dimensional.

LG G6 65-inch 4K TV review: Dolby delights

Dolby’s take on HDR interestingly works more successfully overall on the OLED65G6V than LG’s delivery of HDR10 – seemingly because it takes the limitations of the OLED panel into better account. There’s far less detail loss in bright areas, colours look both richer and more subtly delineated, and there’s a better sense of depth in dark areas.

There is an important trade-off for these improvements in the form of a lower overall brightness level. However, while this inevitably reduces the impact of HDR’s extra brightness, Dolby Vision HDR still looks much more impressive overall on the OLED65G6V than HDR10.

LG

The sound performance from the OLED65G6V’s speaker bar is exceptional, too. It plays music and movies alike with almost hi-fi levels of clarity, detail and precision, as well as having enough power and dynamic range to slide effortlessly through the sound mix gears of a good action film.

Bass extension goes much deeper than you usually hear with an integrated TV sound system, and voices are always clear and well rounded. The soundstage spreads comfortably beyond the physical confines of the screen, too, without becoming incoherent.

Verdict

To see an OLED65G6V is to want one. Its design is so stunning it’s almost obscene, while its contrast-rich pictures are often good enough to make grown AV fans weep. Amazingly, thanks to its built-in soundbar, it even manages to sound outstanding despite the screen’s ground-breaking slimness.

All of which has probably got you wondering why the mark at the top of this review doesn’t read full marks. First of all, while pictures look stellar for much of the time, you can get more spectacular – albeit more messily lit – HDR images from this year’s best LCD TVs.

The biggest problem, though, is that the margin of the OLED65G6V’s picture and sound superiority over LG’s step-down E6 OLED TV is quite small. Yet the price gap between the two TVs, at £1,500, is a far from it. The curved C6, minus the sound bar, is even less still.

As a result, much as we love most things about the LG G6, in the end it’s hard to sensibly suggest that anyone for whom money is any sort of object stump up for one when the almost-as-good E6 or curved C6 OLED panels can be had for so much less cash.

LG OLED C6 4K TV review: The curved OLED master

When the term “OLED” is uttered around people who like TVs, there’s a twitch of excitement. An eye sparkles, an eyebrow raises, a corner of the mouth curls into a smile. That all comes down to the reputation that OLED has acquired: movie fans want to own an OLED TV, while LCD-LED TV manufacturers want to out-perform OLED TVs.

Where once the message was all about curved OLED, now it’s only this C6 that offers a curved display in the LG range, which also houses a full line-up of flat OLED panels, too, in the G, E and B ranges. Of those four, the 55-inch LG OLED C6 – with its catchy OLED55C6VV name – is the most affordable proposition, matching the price point of its flat B6 sibling. Is it the 4K OLED TV to buy?

LG OLED C6 review: Design

If you’ve been following the story of OLED over the past few years, you’ll know that one of the advantages it offers is how flexibly it can be formed into shapes and how thin the panels can be. We’ve seen wavy OLED displays, OLED wallpaper and then there’s the ultra-thin picture-on-glass design that LG’s top G6 OLED model offers.

As amazingly good as the G6 is, the step down to the C6 model means you lose some of that jaw-dropping design, but really not as much as you might expect. And you save a whole bunch of cash in the process – and we’re talking £1,500 (like-for-like 65-inch size).

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The OLED55C6V may be double the thickness of the G6 through the panel, but it’s still thinner than a pencil. Unlike the G6 (and step-down E6 flat-panel), however, the C6 carries all its connections and components on the rear, like many other televisions, rather than through an attached soundbar or separate connection box.

So while you have that wonderfully thin display, you return to a more conventional bump where the brains live lower down. For us this isn’t a negative – just how thin do you need your TV to be? – because the LG OLED C6 looks good from all angles. Arguably it’s not the best TV to look at from the rear, but for most households, that will never be an issue.

There’s a very slight metal framing to the edges of that display, which carries a curve that’s subtle enough to be barely noticeable when you’re sitting in front of it. 

The curved design might not be for everyone and that’s a point worth considering. The curved argument has always been about making content more immersive for the viewer, but also better for those people at wider angles. That’s true, but placement is important: with a light source on one side (like a window), there’s definitely a sweet spot in the centre. At that point, reflections are well handled, but out at a wider angle and they are more of a problem.

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The main run of connections are down the left-hand side and that’s handy for anyone planning to wall-mount this TV, but they are close to the edge, and it’s easy to have a rogue cable popping out the side in full view if you don’t take care to secure them. 

The C6’s looks are boosted by its stand. Although much of the 2016 LG OLED talk has been about the soundbar base of the G6 and E6 models, it’s worth looking at the C6’s stand, because it’s very neatly designed. With a solid central foot, topped with a transparent bar that supports the TV, it gives the impression that the TV is floating.

LG OLED C6 review: Setup, connections and remote

Continuing LG’s webOS story, setting up the OLED C6 is fun, thanks to the return of Bean Bird. Lovely animation makes LG ownership rewarding the moment you plug it in, as running through the setup is interesting, rather than being a boring process. The C6 will want to know what’s connected to it, will take over control of connected devices if it can, saving you from juggling between remotes.

There are three HDMI sockets (all HDCP 2.2 compliant) and three USB, as well as legacy connections for older kit you might have – although if you’re looking at this level of television then we suspect you’ll have all eyes on the HDMIs. You’ll want to hook it up to your network for the best smart experience and Wi-Fi and Ethernet are provided to do so.

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LG has offered a range of remotes over the past few years and with the C6 you get a combined motion and button remote, which can be used in either way. We much prefer the conventional clicking up and down through menus, rather than using a motion-controlled pointer. Thankfully the remote includes buttons for things like settings and input control, to make it easy to do the things you really need to do. What it really lacks is an “i” button so you can see exactly what you’re looking at, especially in these early days of new UHD and HDR formats.

Another thing we don’t like about motion is that it might detect you putting down the remote as a gesture. Sometimes a movement might see you scrolling a menu when you don’t want to. So it’s not the best remote you’ll find for a TV and we wish there was a regular buttoned remote or the option to disable motion permanently. It’s an oddity that in the E6 OLED you get a pair of remotes, including one more traditional by design.

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LG offers you the chance to control your other devices with your remote. Conversely, anyone using a set-top box will probably opt to control the TV with that set-top box’s remote instead.

LG OLED C6 review: Picture and performance

In 2016 the story is all about 4K (or Ultra HD) and HDR (high dynamic range). Which is exactly what the C6 is all about too.

The panel is packed with 3840 x 2160 pixels and pushing what LG is calling OLED HDR, making this set is one of the few TVs you’ll find that supports Dolby Vision, as well as carrying the Ultra HD Premium badge.

That means LG’s set supports a wider range of HDR formats than its rivals, although Dolby Vision is a rarity: in the UK only Netflix currently supports Dolby Vision HDR right now, with Marco Polo beign about the only programme available at the time of writing.

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OLED’s big sell is that the pixels themselves emit the light, rather than having to manage and direct light from another source, such as with edge-LED illumination, or full LED backlight array.

That means lots of things: firstly, that OLED provides inky deep blacks that are really black. Where LCD-LED TVs sometimes bleed light into black bars top and bottom (edge illumination), or show halos around high contrast elements (backlight array), like white titles on a black background, OLED performs much better – and that’s true of the C6. Indeed, the picture quality is much like its G6 bigger brother. And that, as we said, is so good that it’s almost silly.

For HDR that has an advantage: because the illumination is so well controlled across the panel, darks are really dark and highlights are naturally revealed. Turning to our favourite tricky scene at the opening of The Revenant that transitions from dark to light, the OLED handles this in a way that Panasonic’s DX902 couldn’t, even with its direct illumination.

There are a few shortcomings though. OLED isn’t as bright as LED, so you’ll find that within that HDR richness, you don’t always get the same handling of very bright elements. There can be some loss of detail as things blow out at the top levels, but all these things need to be relevant: the picture is still exceptional, but the wow factor you’ll get from Samsung’s flagship LED HDR TVs is perhaps more prevalent, even if it can be too bright at times.

The message with HDR has always been that you see what the director intended, yet there are still HDR viewing modes – standard, dark and vivid, which throws that notion out of the window. When connected to an HDR source, the default HDR picture mode takes over and you can choose how that HDR looks; the same applies to Dolby Vision too – you might be reading a constant stream of metadata to dictate how the picture should look, but you still get to mess around with it.

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Mentioning Dolby Vision (DV) we’re gifted a scene in Marco Polo with bright windows illuminating a darker room. It’s an HDR classic scene, but also shows how Dolby Vision performs better than HDR10. A similar scene in The Man in the High Castle (just swap Mongols for Nazis), sees an HDR10 rendering where shadow detail gets a little lost and the intense brightness of the window is less well handled than the Dolby equivalent. DV may be better, but there’s so little content in this format, so we’ll have to wait to see it reach full potential.

There’s also some tripping up of motion control in detailed pans. The downside of everything being sharper and more detailed is that it’s more noticeable when there’s a clash of panning verticals. TruMotion control is a must and the custom user settings will let you tweak things to smooth it out and find a point that suits your tastes.

An advantage of those deep blacks is that OLED creates vibrant colours, meaning there’s amazing punch to everything. From HD Grey’s Anatomy streamed via Chromecast, to the full HDR glory of an Ultra HD Blu-ray, colours are always impressive on the OLED C6.

There are some settings that will throw things off – be wary of the eye-saving option (think Night Mode) as this makes everything much warmer to cut out the blue light. Ensure you don’t have it turned on when you’re trying to tweak your TV’s picture settings, as you’ll never be able to get rid of the yellow hue. Tuning the display to your preference is something you’ll want to do as out of the box things are a little warm and dark – and can benefit from a bit of a lift, as long as you don’t try to force the screen too bright and destroy the deep blacks.

LG OLED C6 review: Sound

If there’s a shortcoming of this TV, then it’s the sound performance. Where the flagship OLED G6 and E6 TVs come with a more substantial soundbar, the C6 offers 4-channel 40W speakers.

The result is that the OLED C6 is a little thin in terms of sound, lacking the bass to provide an earth-moving experience. You’ll want to pair this screen with a separate sound system to get the most out of the content you’re watching and bring a little depth back to things.

LG OLED C6 review: Connected services and Freeview Play

If you’re not hooking up to set-top box then you might be missing out on some of the next-gen content out there now offered by the likes of Sky Q. However, in the UK, LG is offering Freeview Play as the electronic programme guide (EPG) on the C6 – something it doesn’t even offer on the top-end G6 (an odd decision). That means you have access to a range of catch-up content, without having to open up each app directly.

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This is the same system that underpins Panasonic’s UK EPG and, although it’s currently less well-specified than the rival YouView offering (on Sony TVs), it still has a lot going for it.

Sadly, at the time of writing, the update for the LG C6 hasn’t happened yet, so we can’t comment on how well Freeview Play is integrated into this TV. As it currently stands, there’s a basic Freeview EPG which is fairly standard and unexciting. We suspect that if you’re paying this sort of money for this level of TV, you’ll be using your own set-top box anyway, so it might be a moot point.

The story of a modern TV isn’t just about broadcast, however, it’s about streaming too. With Netflix offering not only Ultra HD content (and plenty of it), it also offers HDR content, and uniquely, Dolby Vision. Netflix is especially well handled, as the OLED55C6V is one of the few TVs to meet the Netflix Recommended standard, meaning instant on and other features, giving a slightly enhanced Netflix experience over some other brands of TV.

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Add into the mix Now TV, Amazon Video and plenty of other apps and you’re looking at an experience that’s fully connected and full of content to exploit the TV’s skills.

Not only that, but LG’s webOS interface makes an impact even if you’re mostly using a set-top box, thanks to the ribbon design. One press of the button and you can be switching to your favourite app quickly and easily, with enough customisation to ensure that you’re being offered the things that you want to see first and foremost.

WebOS remains one of our top options for TV interfaces, but currently the Freeview EPG is the weak part of the puzzle. 

Verdict

The LG OLED C6 is an excellent example of the skills that OLED offers. The picture quality is stunning regardless of the source, with vibrancy in colours, blacks so deep you’ll fall into them and a handling of HDR and Ultra HD content that will put a smile on your face.

Available in both 55- and 65-inch sizes, what’s remarkable about LG’s OLED range is that all the displays are similar in performance, with the price and model differences mostly coming down to design and audio. If you’re looking for a great picture, you won’t be disappointed. Which makes us think the C6 is the more logical purchase than the super-expensive G6 flatpanel.

If there’s one weakness in OLED picture quality then it’s brightness. The C6 is plenty bright enough, but can’t come close to the HDR peaks as found in, say, the Samsung KS9500.

However, having seen a number of curved OLED TVs from LG in the past, the C6 is a stronger package than the brand’s 2015 line-up. The sound quality isn’t exciting, thogh, so an external speaker setup is very much recommended to complete the package.

There’s another downside too: price. OLED isn’t cheap and for the price of this 55-inch model – some £2,299 – you could choose from a wide range of larger TVs adept in many areas and have enough change to buy yourself an Ultra HD Blu-ray player.

Ultimately, however, the LG OLED C6 is an exercise in excellent picture quality. If curved is your thing and you have something of a healthy TV budget, then this is a set that comes highly recommended.

Fluctuating brain networks help you handle complex tasks

Researchers already know that the human brain isn’t static, but it’s now clear just how dynamic the mind can be. A Stanford University team has discovered that the networking between brain regions will fluctuate depending on the complexity of tasks. If you’re at rest, your brain’s components are relatively isolated. Handle a complicated activity, however, and the level of networking ramps up. The more interconnected your brain is, the better your performance — in a memory test, those with the most integrated brains were the quickest and most accurate.

Stanford used some uncommon techniques to make this discovery. They started by studying open source brain data from the Human Connectome Project to see how the brain coordinates activity, and then used functional MRI scans to explain what they’d seen. As it turns out, you can pinpoint instances of networking by tracking the blood flow in brain region pairs. Your pupil size may also be a giveaway as to what’s going on. If your pupils widen, that’s an indication that your brain is amplifying stronger signals in a bid to coordinate.

As important as the research is, it’s just the start. Scientists want to see if what they’ve learned applies to attention spans, memory and other aspects of thought. The work could ultimately improve our understanding of brain diseases like Alzheimer’s and Parkinson’s. Whether or not it does, you now have a better sense of how your mind tackles problems. It’s not just what you know that matters, it’s how that knowledge is processed and shared.

Source: Stanford

TalkTalk scraps line rental to repair hack-damaged brand

TalkTalk’s image has suffered since it was hit by a “significant and sustained cyberattack” in June 2015. The hack affected its bottom line too, cutting profits from £32 million to £14 million last May. To aid its recovery, the quad-play provider is attempting a mass reboot today that includes retooled packages, new guarantees and a fresh marketing campaign. The biggest change is an “all-in” pricing model which, similar to Vodafone, bundles in your line rental fee. The company telegraphed this move back in May, and says it’ll put “an end to complex, confusing packages.”

To keep its most loyal customers, TalkTalk is also making it easier to change packages. If you’ve been with the company for at least three months, that means you can switch plans immediately, no questions asked. The idea being that longtime subscribers are often irritated by the promotions and cut-price deals offered to new customers. They want the same plan, but find they’re not allowed until another six or 12 months, once they’ve completed their current contract. The reasons are obvious — providers like to bolster their subscriber base with tempting deals, then convert and retain its established customers on more expensive plans.

The other pet-peeve? Contracts that shoot up in price unexpectedly. Well, according to TalkTalk, both of these problems have now been eradicated. In addition to easy package switching, the company is promising to price-fix new plans for 18 months. That means no rises or “bill shock” until your second year, at the very least. “We’ve listened hard to what they’ve told us and we’re acting on it,” Tristia Harrison, TalkTalk’s Consumer Managing Director said. “People are fed up of confusing packages and loud advertising, they’re frustrated with deals which shoot up mid contract, and they hate seeing the best deals saved for new customers.”

The final step in TalkTalk’s multi-part refresh is a new approach to advertising. Taking aim at EE and Three, it’s promised to avoid “celebrity-driven” and “shouty” ads, focusing instead on real customers. A new “family matters” video will give you a sense of what it’s shooting for:

TalkTalk has long been known as a cheap alternative to BT, Sky and Virgin Media. Sure, the service isn’t quite the same — its speeds are often slower, and its TV packages are a bit naff — but it’s competent enough and keeps your monthly outgoings low. Since the hack, however, that image has changed. A cheaper bill is harder to swallow when you’re worried about the security of your personal data. TalkTalk’s reputation as a low-cost provider is also under threat from brands such as Vodafone, Plusnet and Relish. To survive and rebound, it needs to bury its troubled past, and fast.

Sky introduces its first VR app

Sky has announced that it’s launching Sky VR, a mobile virtual reality app that’ll showcase the best of the company in 360-degree video. Viewers will be able to catch, for free, snippets of sporting events as well as promotional content from movie studios, including Star Wars: Red Carpet. The broadcaster will also be producing original content for the platform, including Sky Sports: Closer with David Beckham. Closer acts as a showcase of sorts, with Beckham introducing clips from an Anthony Joshua fight and trackside at Silverstone.

Given the broadcaster’s ever-closer ties to arts programming, it’s also no surprise to see that it’ll also commission a 360-degree version of Giselle from the English National Ballet. Across the autumn, the company will shoot more clips including news broadcasts from the US elections. You’ll also be able to enjoy The Martian: Sneak Peek, a 30-minute VR experience on Mars designed to pimp the Matt Damon movie of the same name.

Should you want to demonstrate your full loyalty to Sky’s brand, head on down to the O2 from October 20th to get a Sky-branded Google Cardboard viewer. It’ll work on iOS and Android handsets as well as the Gear VR and Oculus Rift, and is available in the UK, Italy, Germany, Austria, Australia, NZ and the US.

Source: Sky VR (Play Store)

Apple Maps Now Supports Amtrak’s Full System in U.S. and Canada

Apple has recently updated Apple Maps to include Amtrak’s full system of train routes across the United States and in select Canadian cities.

Building upon support for northeast routes, Apple Maps now supports Amtrak routes in the Midwest, Northwest, South, and West regions of the U.S., and in the Canadian cities of Montréal and Vancouver. Amtrak routing is available mainly in areas where transit directions have been implemented.

Midwest:

• Blue Water operating between Chicago, Illinois and Port Huron, Michigan
• Wolverine operating between Chicago, Illinois and Pontiac, Michigan
• Cardinal operating between Chicago, Illinois and New York, New York
• Southwest Chief operating between Chicago, Illinois and Los Angeles, California
• Texas Eagle operating between Chicago, Illinois and San Antonio, Texas
• California Zephyr operating between Chicago, Illinois and Emeryville, California
• City of New Orleans operating between Chicago, Illinois and New Orleans, Louisiana
• Empire Builder operating between Chicago, Illinois and Portland/Seattle
• Illinois Service operating between Chicago, Illinois and Carbondale, Illinois
• Pere Marquette operating between Grand Rapids, Michigan and Chicago, Illinois
• Capitol Limited operating between Washington, D.C. and Chicago, Illinois
• Hoosier State operating between Indianapolis, Indiana and Chicago, Illinois
• Hiawatha operating between Milwaukee, Wisconsin and Chicago, Illinois
• Missouri River Runner operating between St. Louis and Kansas City in Missouri

California:

• Capitol Corridor operating between Auburn, California and San Jose, California
• Coast Starlight operating between Seattle, Washington and Los Angeles, California
• Pacific Surfliner operating between San Luis Obispo and San Diego in California
• San Joaquins operating between San Francisco area and Bakersfield area in California
• Sunset Limited operating between New Orleans, Louisiana and Los Angeles, California

South:

• Auto Train operating between Lorton, Virginia and Sanford, Florida
• Carolinian operating between New York, New York and Charlotte, North Carolina
• Crescent operating between New York, New York and New Orleans, Louisiana
• Silver Service/Palmetto operating between New York, New York and Tampa/Miami

Northwest:

• Amtrak Cascades operating between Vancouver, B.C. and Eugene, Oregon

West:

• Heartland Flyer operating between Oklahoma City, Oklahoma and Fort Worth, Texas

Additional northeastern routes such as Adirondack, operating between Montréal, Québec and New York, New York, and Downeaster, operating between Brunswick, Maine and Boston, Massachusetts, are also now supported.

(Thanks, Alec!)

Tags: Apple Maps, Canada, transit, Amtrak
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