Panasonic Lumix FZ2500 and Lumix FZ2000 Release Date, Price and Specs – CNET

Panasonic’s Lumix FZ1000 is the camera I recommend the most to those considering a digital SLR for photography, but who aren’t in love with the idea of buying and lugging around lenses. The new $1,200 Lumix FZ2500 arriving in December goes beyond that, eliminating the need for a high-performance camcorder, too.

According to Panasonic, the FZ2500 is essentially the company’s GH4 interchangeable lens camera — a model popular with moviemakers — but with a fixed zoom lens. In this case, a 20x f2.8-4.5 24-480 lens with an inner zoom structure for reducing image shift when zooming. Ever noticed a little jump in your video when zooming in and out with another camera? That’s what this system is suppressing.

Panasonic

The camera does not have a Micro Four Third sensor like the GH4 either, but the FZ2500’s 1-inch 20-megapixel sensor is still big. If the performance is anything like the FZ1000’s 1-inch sensor, you can expect better color, detailed dynamic range and low-light performance for photos and video than a typical camcorder or point-and-shoot.

So, how exactly is it like the GH4 then? Well, it’s all in capabilities:

• Record in 4K (4,096×2,160) or Quad HD (3,840×2,160) resolutions at 24fps or 30fps, respectively, in MOV or MP4
• Record in full HD (1,920×1,080) at 200Mbps or 100 Mbps in MOV, MP4, AVCHD progressive and AVCHD
• User selectable system frequency between 59.94Hz (23.98Hz), 50.00Hz or 24.00Hz
• Live output via micro-HDMI in 4:2:2/8-bit while recording to a SDXC card at 4:2:0/8-bit
• Live output via micro-HDMI in 4:2:2/10-bit for saving HDMI output to external storage
• V-Log/V-Log L support (paid software upgrade required)
• Full HD variable frame rate control for speeding up and slowing down the look of your video on the fly
• No limit on continuous recording (US only)

Design features like its 3.5mm mic and headphone jacks, a hot shoe, zoom and focus rings on the lens barrel, an SD card slot on the side for quick swaps when it’s on a tripod, front and rear control dials and a high-res 3-inch flip-out rear touchscreen that tilts up and down by 270 degrees only add to its flexibility as a movie-making machine.

The design is great for photography, too, including a large, high-magnification OLED viewfinder; built-in ND filters — -2EV(1/4), -4EV(1/16), -6EV(1/64) and AUTO – selectable with a switch on the lens barrel; built-in Wi-Fi for remote control and a nine-blade aperture for smooth-looking out-of-focus areas.

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The camera has fast performance in general, with a full-resolution burst mode of 12fps with fixed focus or 7fps with continuous autofocus for up to 100 JPEGs or 30 raw images at a time.

Like Panasonic’s other high-end compacts, the FZ2500 can use its 4K video capabilities to fire off 8-megapixel pictures at a blazing fast rate of 30 per second, grabbing moments you might otherwise miss. Another mode takes a burst of photos with different focus points and lets you select the area you want in focus after you shoot. Fans of close-up macro shots will appreciate the Focus Stacking mode, so you can decide how much of the shot is in focus.

If you were looking for a (slightly) less expensive competitor to Sony’s Cyber-shot RX10 III, this is it.