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18
Aug

This smart stud finder works with your phone to do 3D-image sensing


There’s a new stud finder available that’s unlike any typical stud finder you can buy from a local hardware store.

It uses Vayyar Imaging’s 3D-image sensor technology, but it’s super easy to use. Simply get your hands on the Walabot DIY stud finder, then download the Walabot DIY app from the Google Play Store, and connect the accessory to your smartphone’s USB port (so, an Android device, basically). From there, all you have to do is hold it against a wall, and it’ll let you see inside your walls.

The Wallabot DIY can detect not only studs but also plastic and metal pipes, electric wires, and basically anything up to four inches behind the wall. It can even sense motion, meaning you’ll be able to use it in order to find mice or any other pests inside your walls. It’ll visualise the actual location of whatever is there and serve up a preview via the app, so it’ll prevent you from making a mistake with the drill.

The only downside to this handy smart tool is its $200 (about £150) sticker. At that price, you’re better off getting a basic version if you only plan to hang a frame or two. But if you’re a total DIYer, this is the gadget you need to take your home repair skills to the next level. 

18
Aug

Pizza Hut in UK made a playable DJ pizza box and will give them out


Pizza Hut’s latest marketing gimmick in the UK is pretty awesome – and techy.

The pizza chain has introduced the “world’s first playable DJ pizza box”. It’s a real-life cardboard pizza box that turns into a touch-sensitive deck, complete with a mixer and other controllable buttons. Printed electronics maker Novalia helped Pizza Hut create this battery-powered contraption that will fully connect to your computer or smartphone over Bluetooth. It even works with pro DJ software like Serato DJ.

Pizza Hut released a video, embedded above, to demonstrate how the thing works. As Rinse FM’s DJ Vectra shows, you can eat your pizza, then open up the box, turn on your paired device, and start scratching, rewinding, controlling pitch, and adjusting crossfade. But before you get all excited and think you can finally become a DJ for cheap, you should know this slipmat will be hard to get your greasy paws on.

Pizza Hut said it’ll only give a small number of them away. Only five will be doled out across Pizza Hut’s 350 UK restaurants. To find out where they will be available, keep your eyes on Pizza Hut’s UK Twitter account.

Introducing the WORLD’S FIRST playable #PizzaDJDecks. We’re giving 5 away across the UK. Stay tuned for clues ???? ???? https://t.co/jHFoVK2Yp3

— Pizza Hut UK (@pizzahutuk) August 17, 2016

18
Aug

How we trained AI to be sexist


You’d never know from Jacqueline Feldman’s background that she’d become a passionate proponent of gender equality for artificial intelligence. She went the dreamer’s route at college, attending Yale for English literature and writing. She prefers casual dresses and writing from the comfort of her Brooklyn apartment surrounded by books, where she has the option of climbing to the roof for cool air on sweltering nights.

But once Feldman was hired to write the personality of a chatbot for Kasisto, a startup that focuses on artificial intelligence software for banks, she became vocal about the importance of taking gender out of the identity equation. Under her watch, MyKai, the bot she was hired to craft a personality for, would be neither female nor male.

Feldman’s boss at Kasisto, Dror Oren, says the work the team has done with the bot made him more outspoken about the need for equality in tech than he’d have imagined going into the project, and he’s a self-proclaimed feminist to begin with. Now, he’s hyperaware of the differences between the personality of Kai and overly feminine answers inside similar products made by most large tech companies.

Kasisto is on to something. There’s Apple’s Siri, which the company occasionally promotes with titillating commercials reinforcing gender stereotypes, like the one where Jamie Foxx flirts with the female virtual assistant, asking if she has a crush on him. There’s Amazon’s Alexa, which the company introduced in a roll-out video featuring a “man of the house” explaining all of the feminized assistant’s functions, while his fictional wife asks one question and gets chastised for it. And then there’s Amy, a bot that schedules meetings via emails that’s made by x.ai. The company proclaims on its site that Amy is asked out about once a month, which the company says makes it “blush.”

Play with any of those products and you’ll find the same flirty attitude promoting the gender stereotypes that make equal-treatment folks irate. Ask it to marry you and Alexa will say, “Sorry, I’m not the marrying type” or “let’s just be friends” to date requests. If you ask Siri “Who’s your daddy?” it will answer “You are…” before asking to get back to work. Microsoft’s Cortana sassily replies, “Of all the questions you could have asked,” to come-ons, something feminists will tell you makes the bot complacent in its harassment.

Kai, on the other hand, will tell users via text to stop bothering it or say it’s time to get back to banking.

Sure, many of those other companies now have a male-voice option, but those aren’t the defaults in the US, and when producing commercials for those products, the female voice is the star of the show.

Feldman says all this sexualized AI can be harmful to society.

“Some of these female-gendered personalities have what are called Easter eggs programmed into them,” said Feldman. “These are supposed to be surprising moments in the interaction, and they’re often jokes that are somewhat demeaning to the personality speaking with you.”

She adds: “If you tried that conversation on a real woman, you’d really be bothering her.”

That’s not to say Easter eggs shouldn’t exist; they’re one of the delights of AI. But rather than demeaning through a typically sexist or flirty joke, Kai will make self-aware jokes about not being alive. If you text it goodbye, it may reply, “That is the X in the top right, right?” When asked if it believes in love, Kai will respond, “Love throws me for a loop. Unconditional love is an infinite loop,” which is a nod to what happens when computers freeze. These sorts of answers make Kai distinctly artificial, not human.

Women continue to earn 79 cents for every dollar a man earns, and it certainly wouldn’t hurt their standing in society if the tech world at least thought more carefully about gender in AI. The stereotypically ladylike, deferential responses of so many virtual assistants reinforce society’s subconscious link between women and servitude. The average person’s only interaction with AI may be a female voice that can’t quite say “no, stop that,” and that’s not OK.

Even those that avoid being overly feminized, like Google’s voice assistant, aren’t entirely gender-free. Google’s lacks a girls name, but still has a woman’s voice. Those in the field will often point to findings like those of now-deceased Stanford professor Clifford Nass, who said people prefer the sound of a woman’s voice to a man’s.

Kasisto was able to avoid some of these tech landmines because Kai’s personality has to be conveyed only by the written word. But the company isn’t buying the idea that society simply prefers a female voice as a reason to keep feminized personalities in a strictly assistant role. In fact, they say, mixing up gender in artificial intelligence in tech would be good for everyone. Companies are clearly thinking about it on some level; for example, in the UK and France, Siri defaults to a man’s voice, unlike the woman’s voice we hear in the US.

“I don’t want to sound pretentious around it, but I think they [ other companies ] need to think seriously about how they’re designing bots,” said Oren, Feldman’s boss and co-founder at Kasisto. “I feel that we’re putting Kasisto values out there. We want to feel proud with the way our bot interacts because it reflects our values as a company.”

Amazon and Google declined to comment for this story, and Apple didn’t respond to requests for an interview. Deborah Harrison, one of Microsoft’s personality writers for Cortana, says the team considered benefits to either gender when beginning to craft the personal assistant but settled on female because they felt women are perceived as being more helpful than men. Still, she said they felt the weight of their decisions.

“This industry — digital assistants and AI research — is in many ways in its infancy, so the interactions we design now will, for better or worse, begin to become standardized through familiarity,” Harrison said via email.

Dr. Olga Russakovsky, a postdoctoral research fellow at the Robotics Institute at Carnegie Mellon, was spurred to action by how tech treats women, period. She told Engadget she started a computer-science camp for girls called SAILORS while at Stanford because of the disproportionately low number of women in the field. In 2011, only 18 percent of bachelor’s degrees and 20 percent of doctoral degrees in computer and information sciences were earned by women.

When designing the camp program, she tailored it to how girls learn, as opposed to conventional programs that tend to favor boys. Part of the problem with sexism in artificial intelligence appears to be that there aren’t enough women involved in its creation.

Russakovsky applauds work by anyone in artificial intelligence who tries to create an environment that includes women as equal beings. This isn’t about an overly PC society getting its dander up over nothing. One study she cites found there is a hidden gender bias within a large sample of news text, randomly sampled, online. She worries these subservient values will grow more entrenched over time, keeping women underrepresented in her field.

It’s possible that some of the loudest criticism of personalities like Cortana (which was initially based on a nude video-game character) has had some effect at large tech companies. Apple added a male voice option to Siri in 2013, two years after Siri was introduced. And personal scheduling software company x.ai introduced a male option a year ago, after debuting with female-only Amy.

But even these maddeningly slow additions might do little to actually reverse sexism within the very DNA of artificial personalities.

Until more people in computer science ‘fess up to the problem of overly sexualized bots, we seem doomed to travel along the same rutted tracks of homogeneous design, with too few women involved in the development of our Siris, Amys, Cortanas and Alexas. That leaves the small teams at companies like Kasisto at the forefront, dragging AI into a more inclusive world. Here’s hoping their colleagues at larger companies wake up and do the same.

18
Aug

Celebrity augmented reality ‘holograms’ are coming


Get ready for celebrity ‘holograms’ beyond the usual 2D illusions. RadicalMedia and Uncorporeal are partnering on 3D captures of celebrities for augmented reality and eventually virtual reality performances, giving digital stand-ins a greater presence. You could go to a venue and see a convincing virtual concert or lecture no matter where you sit, and with more freedom of movement for the star of the show. The technique encircles a green screen stage with 48 cameras, creating a hologram-like effect that not only works in any AR or VR format (including future headset tech), but can carry over to 2D video.

RadicalMedia isn’t ready to say which celebs will be involved, in part because it’s still negotiating deals. However, it expects to showcase its project within a year, when it also expects augmented reality tech to reach the public. It’s not certain just how sophisticated it’ll be in practice. AR hardware like Microsoft’s HoloLens is rolling out even as I write this, but the $3,000-a-pop pricing isn’t realistic for a theater or lecture hall with hundreds of people. The most advanced presentations may be reserved for smaller-scale, shorter presentations where just a few headsets are enough. Oherwise, you might end using phone-based headsets (or no headset at all) to get a good-but-not-great viewing experience.

Source: Variety

18
Aug

Apple is making a documentary with Cash Money Records


Cash Money Records’ deal to stream some of its music exclusively on Apple’s subscription service appears to be about more than just tunes. Bloomberg reports that Drake and Nicki Minaj’s record label is working with Apple on a documentary as well. The two companies are already quite familiar with each other as Drake’s Views From the 6 was an Apple Music exclusive the first week after it was released. Drake was also on stage at the event where Apple Music was first revealed to the world.

http://www.musicbusinessworldwide.com/apple-music-signs-game-changing-label-deal-cash-money-records/ @thelarryjackson @applemusic #Biggathenlife #lifestyle

A photo posted by Birdman5star (@birdman5star) on Aug 16, 2016 at 2:46pm PDT

Thanks to an Instagram post from Cash Money co-founder Bryan Williams, who goes by his stage name Birdman, news of the collaboration surfaced this week. The post was a picture of Williams alongside Apple Music’s head of original content Larry Jackson. After the image showed up on the social network, much of the speculation surrounded the possibility of Apple wanting to lock down Cash Money’s upcoming releases as exclusives for its music service.

According to Bloomberg, that’s not the case as sources indicate Williams and Jackson were discussing Apple backing a documentary about the record label instead. There’s plenty of history to hash out in a film, as Cash Money is also home to Lil Wayne and other well-known hip-hop artists. And the relationship between Weezy and the label hasn’t always been amicable.

As far as Apple is concerned, a music documentary would be the latest in a string of original video projects. While reports of the company’s desire to produce its own television content surfaced about a year ago, we’ve since learned about the reality series Planet of the Apps that will showcase software and the folks who make them. There’s also Vital Signs, which is rumored be a semi-autobiographical look at the life and career of Dr. Dre. Last but not least, the most recent exclusive video announcement from Apple was that it had agreed to terms with CBS to create 16 episodes of “Carpool Karaoke,” a popular segment from The Late Show with James Corden.

Via: TechCrunch

Source: Bloomberg

18
Aug

‘Gears of War 4’ writers are striving for a deeper story


Gears of War has never been known for its deep, imaginative storytelling. Each game is a popcorn-friendly thrill ride, pitting muscular soldiers against an army of bloodthirsty monsters. It’s a simple concept: Grab an assault rifle, dive behind some cover and empty your clip until it’s safe to move forward. Rinse and repeat. Gears of War 4, the first entry by a new developer called the Coalition, is trying to break that tradition. It’s still a brutal shoot-’em-up, but the characters and plot are more complex this time around. More nuanced. So much so, in fact, that for people who have cooled on the franchise, it might be enough to reel them back in.

A hint of horror

Take the world. It’s a bleak place, scarred from the weaponry that was required to wipe out the savage Locust and Lambent in the last game. Powerful storms known as “wind flares” rip across the sky, destroying nearby buildings and picking up loose debris. The government has walled off the few cities that remain, protecting what’s left of humanity and rejecting the “outsiders” who have chosen to live on their own. You play as J.D. Fenix, the son of series hero Marcus, as he uncovers a new threat called the Swarm. They’re vicious and creepy, especially at night, when much of the game takes place.

Chuck Osieja, creative director at the Coalition, said the team has been working hard to bring back the creepiness teased in the first game. “The characters are experiencing [the Swarm] for the first time, so we wanted to create a tone that was in line with that,” he said. “Before, everybody that was in the game already knew every enemy. It was never a surprise to them. They knew how to deal with them, they knew what they were named and they knew exactly what to expect from them. You as the player were the only one that didn’t know.”

With Gears of War 4, you’re uncovering the threat at the same time as J.D. and his two companions, Del and Kait. “How they react to it, and how you react to it, is part of what you experience,” Osieja added. “Creating a tone that is a bit more tense is in line with that type of experience.”

Old man Marcus

Marcus Close Up

At Gamescom this week, I was shown a sequence where J.D. meets up with his father. Marcus is now an older man: He still has arms the size of a beer keg, but his beard is a silvery gray. He’s stubborn, telling the team to wait out a wind flare inside a barn. J.D. thinks it’s a bad idea, but Marcus stands firm, believing his plan is the right one. When the roof is torn to shreds, and the group is left exposed, it’s clear that Marcus — even with his decades of military experience — is far from a perfect soldier. He’s worn down from a life in the battlefield, and not as sharp as he used to be.

It’s a small but significant change in Marcus’ character. Before, he was mostly a meathead doling out shallow one-liners. Now, he’s an example of what happens to a warrior who no longer has a war to fight. “He’s had to deal with not being a soldier anymore,” Osieja explained, “and how him being a war hero has affected not only his own life but everyone around him. The government uses him, they hold him up as a hero of the Locust War, and he’s a reluctant hero. He’s got to deal with that and he’s also got to deal with his relationship with J.D., who has never dealt with war before.”

Marcus isn’t playable. He’ll join J.D. in his adventure — for how long, it isn’t clear — to show that he’s still most comfortable in times of war. “He reacts differently as an AI character,” Osieja said. “The way he observes the world and the way he reacts is different to J.D., because J.D. is a reflection of the player. When the player doesn’t know something, they instinctively ask questions — you want the main character to ask those same questions in the game so they can be answered by people inside the environment.”

Marcus is one of the characters that can play this role. “It gives him more range in what he can express and the things we can tease out of him, both in terms of his personality and the way he deals with problems,” Osieja said.

J.D. and his friends will get some character development too. The Coalition is staying tight-lipped at the moment, but each will have his own “journey” throughout the game. They’ll come together as a team and learn what it takes to be a soldier in this turbulent, war-ravaged world. Battling the Swarm and persuading the government that this new threat exists, all while evading the army, which considers them renegades — these elements have the potential to create a more compelling Gears story.

It’s a small but significant step forward for the franchise. Gears of War has a strong following because of its combat; the controls are responsive and the weapons have a satisfying heft to them. But after Gears of War: Judgment — and the departure of series creator Epic Games — many lost faith in the franchise. A better story could pull back gamers who have lost interest, while appealing to people who have skipped the series entirely. It won’t be the sole reason that people pick up the game, but it could restore the franchise to its pedigree status on Xbox (and PC) hardware, setting up future installments that the Coalition is clearly desperate to develop.

We’re live all week from Cologne, Germany, for Gamescom 2016. Click here to catch up on all the news from the show.

18
Aug

AT&T unveils ‘overage-free’ phone plans to counter Verizon


No, the big US carriers aren’t done shadowing each other’s moves yet. AT&T has responded to Verizon’s new phone plans with Mobile Share Advantage plans that scrap overages and increase the data you can get, but carry their share of catches. Prices now start at $30 per month (plus $20 per phone) for 1GB of data with unlimited US talk and text, and you won’t wake up to a horrific bill if you underestimate your needs. As with Verizon, you’ll be throttled to 128Kbps for the remainder of the month if you hit your data cap — you can drop $20 for an extra 10GB if you can’t imagine going without streaming videos for a few days.

They’re definitely offering more data than before, and in some cases represent better deals. If you pay $100 per month for two lines, for example, you’ll get 6GB to play with instead of 5GB. However, it’s also clear that AT&T is raising the base rate in at least a few circumstances. Before, you paid a total of $45 per month for 300MB. You’re now shelling out at least $50, and that slight price hike is generally true across the board. And of course, it’s not strictly true that overages are gone… you’re just paying a flat $20 (for that 10GB boost) on your own terms instead of automatically incurring costs.

This could still be a better deal than at Verizon, depending on what you want. There’s no mention of paying extra to enable overage-free throttling on lower-priced plans, and subscribing to a 10GB or larger plan lets you use your service in Mexico with no extra fees. You need at least a 16GB plan to get that perk at Verizon, although Big Red’s feature also includes Canada. Just understand that this isn’t quite the bargain that it sounds like at first blush.

Source: AT&T Newsroom

18
Aug

Chrome extension restores the backspace key to its former glory


Lots of very smart people work at Google, but that doesn’t mean they’re immune from making decisions that piss people off. Consider this recent Chrome kerfuffle: some users were recently shocked to discover that, upon updating Chrome, they could no longer tap the backspace key to go back a page. Mild panic, and lots of comments, ensued. If that sounds an awful lot like you, well, you can dial down the anguish a little — Google released a Chrome extension called Go Back With Backspace that does exactly what its name implies.

“Many people lost their progress while working online by accidentally pressing backspace and leaving a page,” the extension’s description explains. “So we removed the feature from Chrome, and created this extension for those who prefer the old behavior.”

“Old behavior” is right. A little sleuthing on StackExchange has confirmed that the “backspace to go back” behavior didn’t exist in Mosaic and Netscape Navigator, two early and widely-used web browsers. If anything, looks like the behavior might have begun when Internet Explorer inherited the backspace trick from Windows Explorer in 1995, with browsers like Firefox adopting it for consistency’s sake. Anyway, there you go: if the backspace button has screwed up your workflow in the past, your life has changed for the better. And if you just wanted the backspace key to behave the way it always has, well, you’re now whole again.

Arguably the more elegant solution here would have just been to include a toggle in Chrome’s Settings page to enable or disable the behavior, but Googlers apparently weren’t fond of that possibility from the beginning.

“There will not be a flag for this,” said Peter Kastings, a senior software engineer on the Chrome UI team in late April. “We prefer that extensions, rather than options, be used to add non-default behavior in most cases.” Bummer.

Via: VentureBeat

Source: Google

18
Aug

World’s longest aircraft takes its first flight


That aircraft you see above may look more than a little odd, but it just made history… and it might be the future of flight. Hybrid Air Vehicles has successfully flown the Airlander 10, a long-endurance airplane/airship hybrid billed as the longest aircraft ever at 302ft end to end. It was just a short, minutes-long trip around the countryside in UK’s Bedfordshire, but it showed that the massive (if more than a little posterior-like) design is airworthy.

It’s going to take a while before you see production models of the vehicle, which was originally designed for US surveillance before it was scrapped. HAV only expects to make 10 per year by 2021. If it meets its goals, though, it could prove to be crucial to the aviation world. Ideally, Airlander 10 will stay aloft for about 5 days at a time — that’s ideal for communications, manned military recon and even long-distance passenger flights. They’re much quieter and produce less pollution than typical aircraft, so they could fly in areas and at altitudes where other flying machines would create too much of a disturbance.

Airlander 10 makes maiden voyage from Cardington Sheds in Bedfordshire. pic.twitter.com/Z4tN8Gnj5z

— BBC Three Counties (@BBC3CR) August 17, 2016

Via: BBC

Source: Hybrid Air Vehicles (Twitter 1), (2)

18
Aug

New algorithm finds signs of depression in your Instagram feed


While Instagram data can already be used to guess your age, a new research paper shows how it might also be used to check upon your mental health. Using a set of machine learning tools and several dozen users’ Instagram feeds, a team of researchers from Harvard and the University of Vermont have built a model that can accurately spot signs of clinical depression. By reviewing “color analysis, metadata components, and algorithmic face detection,” in each user’s feed, the model was able to correctly identify which Instagrammers showed symptoms of depression about 70 percent of the time, even before they had been clinically diagnosed.

The model had to sift through 43,950 photos from 166 different users in order to make its predictions. And, before everyone becomes an amateur Instagram psychologist, the research team notes that their model isn’t meant to be a definitive diagnosis of depression just yet. Instead, the paper notes that the model could be used for “early screening and detection of mental illness” and could one day “serve as a blueprint for effective mental health screening in an increasingly digitalized society.” In other words: if your phone’s digital assistant has access to your Instagram feed, it might one day be able to tell if you’ve been seeming blue lately.

And that “blue” could be in the literal sense — although the model took many factors into account, the study found that depressed individuals tended to gravitate towards the the blue-grey or black-and-white filters like Crema or Inkwell, while healthy folks preferred filters with warm, bright tones.

Via: PetaPixel

Source: arXiv.org